Posted on June 10, 2012 - by Nicole Humphrey Cook
Beginnings: The First Few Pages
How do you start your book?
A strong opening is very important to a good story and a good book. Many people glance at the first few pages when thinking about reading a book; if it doesn’t grab them then, you’ve lost a potential reader.
One of the best pieces of advice I ever got, was to start your book with conflict. Almost immediately. Somewhere in the first chapter, or the first scene, or the first paragraph or even the first sentence. {I often challenge myself to come up with the best first line I can, something that will totally make people want to read more.}
Creating conflict immediately is the fastest way to engage your reader in your story. It often gives you a chance to introduce characters immediately as well. But the key to a good opening, is definitely conflict.
But this goes even further than just “create conflict”. Basically your opening (scene or even chapter) should have some sort of conflict (could be between anyone) which is not only introduced immediately, but developed and resolved right away as well. But during this mini-conflict – there should also have a much bigger conflict introduced as well. Basically by the time the opening scene conflict ends, the larger conflict should have been introduced and be unfolding.
This is how you get a reader engaged and hold them. They will immediately find themselves wanting to know what happens next, what will the outcome be?
First Lines
Just focusing on your first line right now?
Your first line should be something catchy; or something funny. Make it something that grabs attention or makes the reader think or even ask their own questions. Something that lets us see their personality right off the bat is always very good.
A conversation pertinent to the story between the two main characters that might establish personality and relationships will help draw the reader into the story much quicker than just some random line, or even some random conversation.
It’s really important that whatever type of opening line or scene, you choose to open with is related to the story and sets the mood for the rest of the book. Obviously this doesn’t always work, so as long as it sets the mood for what you want to convey during that first part of your story.
How do you find your opening material? How do you start your stories? Do you struggle with this part, and if not – what part is the most challenging for you?
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May 17, 2012
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Vikki said:
Some great advice there honey, thanks
Can I ask, what do you think about prologues?
My current WIP starts with a 1 page prologue, a first person POV description of a guy committing suicide. The first chapter starts on the day of his funeral and centres around his widow. I’ve had some people say I should keep it in, and others say that people often skip a prologue (when I’m reading I always read the prologue!).
Just wondered what your opinion is
Xx
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May 21, 2012
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Jocelyn Adams said:
I completely agree with you about starting with conflict. It took me a while to learn that, but now my novels usually start off with a bang, right in the middle of something intense.
Equally important are the questions that are raised in the readers’ minds during that first chapter. Why did that person have a snide look on their face? Why did that character say THAT? Where did the MC get his scar?
Along with the entertainment of being the fly on the wall as the characters sort out the conflict, it will be the desire of answers to questions that will keep a reader flipping pages.
Great post.
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May 24, 2012
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Tahlia Newland said:
I think we have to be a little careful with the word ‘conflict’. I’d say dramatic tension is a better word, because some writers go straight into a major conflict before we meet the characters and come to care about them, then it’s just melodrama. It can even turn you off. Ya ya ya, another battle. Sigh! Who cares! Conflict is just one kind of dramatic tension, others are a task to be completed, a surprise, a mystery, comedy, and tension in relationships.
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